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Digital Paintings



Still Life 8o.3 (Peony), 2018

In the age of codes, data, and computerized images, the subject/object relationship is more fraught than ever.An image on a screen, however realistic, has been translated through unknown numbers of non-human languages and technologies. Images that would seem to be a direct view of a landscape or object are therefore products of translation even as they appear to be direct representations of the real. The easiness of the image on the screen allows us to bypass understanding the translations it has been through to reach us.
Representation vs Mutation
Reproduction
Digital vs Analog
Illusion / Deception
Anthropocene



Still Life 8b.8 (Perspective), 2018

Still Life 8n.7 (Beaverkill Stream Drawing #2), 2018

Digital Paintings explores the material aspects of photography and painting and examines how they can coexist within one work. What differentiates photography from painting when they are both used to create worlds that only exist in the minds of the artist/viewer? How can photographs still be considered depictions of reality when digital technologies enable and encourage manipulation at every stage of production? My aim is to question the relationship we have to images as vehicles of truth and to emphasize their inherent mutability. Each piece in this series defines a relationship between photography and painting.

I allow these two logics of digital images (representation and mutation) to exist in dialogue to create a view of our relationship to digital images that embraces their inherently malleable nature.